Always Ours
for bass clarinet & live electronics (2019)
Paul Everden bass clarinet
Daniel Figols live electronics
(2019, London) St John on Bethnal Green
Eos trio (2019, London)
Borough New Music Festival 2019
for bass clarinet, violin and piano (2019)
Royal National Scottish Orchestra
(Glasgow, Scotland) 2018 Composers Hub
Holly Mathieson
OCTOBER 1st
for orchestra (2018)
The expressivity of the ondes, based on a continuum of frequences that makes it similar to the human voice is confronted to the rhythmical and percussive violence of the piano.
Both instruments interact in a crossed toxic relationship, mixing their sonic characters one into the other.
Nathalie Forget & Flore Merlin
(2017, La Grave, France) Festival Messiaen
for ondes martenot and piano (2017)
for large ensemble (2012)
Klangforum Wien (2012, Graz)
Enno Poppe
The universe exists in between two singular points: one is the maximum concentration and the lack of time and space, the other one is the maximum dilution and a terminal unfolded time. An aeon is the lapse of time between these two moments and therefore the overall duration of the universe.
Æon is an invitation to follow this voyage of creation and annihilation at a human scale, a representation of the forces in movement ordering space and form whose origin and end are the same singular point. The gestures are linked one to another as part of a continuous evolution and differentiation. The path evolves like on the surface of the Moebius strip, once the journey ends by going through the limits of the strip it finishes at the same starting point but in an opposite space.
A for Argon
T for Titanium
O for Oxygen
M for Magnesium
S for Sulfur
Ensemble Diagonal (2016, Radio France, Paris)
Rut Schereiner
for ensemble (2016)
Orchestre National de Lorraine (2016, Metz)
Jacques Mercier
for orchestra (2010)
Ensemble Vertixe Sonora (2014, Santiago de Compostela)
Baldur Brönnimann
for ensemble (2014)
Ensemble Musica QuLacoza
(2013, Nagoya, Japan)
for ensemble (2013)
Orchestre des Lauréauts du CNSMDP (2012, Paris)
Tito Ceccherini
for large ensemble and live electronics (2012)
EXAUDI Vocal Ensemble (2013, Paris)
James Weeks
for six singers (2013)
Neue Vocalsolisten & Luigi Gaggero
(2009, Royaumont, Paris)
for two female singers and cymbalum (2009)
Ensemble BCN216 (2013, Barcelona)
Vicenç Prats
for ensemble (2013)
for saxophone and cello (2015)
Duo Denisov (2015, Paris)
for voice, recorder and electronics (2013)
Duo UMS 'n JIP (2013, Barcelona)
for piano and electronics (2015)
Dani Espasa (2015, Kyoto)
for ensemble (2014)
Lontano Ensemble (2014, London)
Odaline de la Martinez
for female voices (2014)
Cor de noies Exaudio (2014, Barcelona)
Júlia Sesé
for tubax solo, large ensemble and electronics (2010)
Tout Bas introduces the discovery of the Tubax, the contrabass saxophone created by Benedikt Eppelsheim in 1999. This composition delves into the various ranges, unique techniques, and emotive qualities of this instrument within a concertando structure. The ensemble and live electronics enhance the Tubax's timbral range, with bass instruments complementing its sound, except for tenor and soprano saxophones which provide an extension to its natural register. The piece showcases the Tubax's full potential, requiring advanced technical prowess and expressive artistry for a compelling performance.
Miguel Ángel Lorente & Paris Conservatoire Performers
(2014, Paris)
Pasquale Corrado
Nouvel Ensemble Moderne (2011, Québec)
Lorraine Vaillancourt
for ensemble (2011)
for piano (2005)
REDES (2005, TVE)
ELECTRONIC MUSIC
for electronics (2014)
for electronics (2014)
interactive installation - Abbaye de Royaumont (2013)
for electronics (2008)